From the sanctimonious priest who knows more than he’s telling, to the disappointed father of the bride, to the schoolboy with unspeakable personal habits and a fine line in sympathy pleas, each cock-eyed portrait Brendan Grace paints brings audiences to the point of apoplexy. His material owes more to the best of traditional comedy than to modern stand-up. There’s bound to be a big welcome for Brendan on this his first visit to Pavilion Theatre.